Underwater
Lighting
Natural or
Flash
Frequently Asked Questions |

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Q:
Can I take underwater photographs without using flash?
A: There
are many situations in which the use of natural light underwater
can provide good, or at least interesting, results; especially
if the camera has the facility for manual white-balance adjustment.
In answer to the general question "should I go diving without
a flash unit" however, the answer is "only if you are
absolutely sure that it won't be needed". The point is that
most underwater photographs do need flash, and prior evaluation
is needed in order to establish whether conditions favourable
to natural light photography exist at the time of diving. If
you have a flash unit with you, you don't have to use it; but
if you don't have a flash unit, photographic opportunities may
prove to be be very limited.
At very shallow depths (0 - 4m), with bright sunlight above,
there is usually plenty of light; but the ripple pattern of the
surface is projected on to the bottom and often has greater contrast
than any potential subject. Hence, if the intention is to photograph
some particular object rather than record the general ambiance,
it is better to stop down the lens until natural light is insufficient
for an exposure and use flash to provide even illumination. |

Sunlight ripples
at 0.5m below surface (Equatorial mid day). |
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At greater depths, all is gloomy; with impenetrable
shadows, and filtration of the light by the water gives rise
to a strong blue-green colour cast. You can compensate for the
colour shift by applying white-balance adjustment in conjunction
with an underwater colour correction (UWCC) filter or a Magic Filter; (see, for example, Mike
Deaton's photographs in the Gallery); but filters absorb
light, necessitating large apertures or long exposure times;
and large colour shifts necessitate high gain in the red imaging
channel and a consequent increase in electronic noise. At great
depth also, or for very long light paths, red light all but disappears,
and you might as well revert to black and white. Hence, if the
situation allows flash to be used, then flash should be used. |

Fill-in flash
illumination at 10m below surface (Equatorial mid day). R90H04-33 |

Ambient illumination
at 10m below surface (Equatorial mid-day). The colour balance
of this picture can be restored to some extent by adjusting the
image data (see right), but this turns the background grey and
the colour of the fish is still not reproduced. R90H04-34 |

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Sunburst at 20m
below surface (Canary Is., clear sky above). R93E12-10 |
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For macro photography, artificial lighting is generally considered
to be essential; the issue being that a small lens aperture is
required if acceptable depth of field is to be obtained. Since
cameras are usually hand held, the required small aperture has
to be achieved in conjunction with a reasonably short exposure
time, and the lighting must be correspondingly bright. If the
camera can be placed on the ground or used with an underwater
tripod however, exposure times can be increased and natural
light macro photography becomes feasible. Use of natural light
is not the technique of first choice for close-up work, but it
does permit photography of animals which become skittish when
flash is fired at them. |

Cuttlefish eye,
same animal as in the previous photograph. Natural light macro
photograph (hence the restricted depth of field) at 4m below
surface. 48 bpp data colour-corrected using Photoshop. The camera
was placed on the sand next to the animal, allowing a fairly
long exposure time (about 0.1s). Natural light was used because
the flash battery had gone flat, but it is doubtful that the
animal would have permitted such proximity had flash been fired
at it during the approach. R93E11-36 |
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Q: How do I work out
which strobe to get?
A: The
first thing you should consider is the angle of coverage of the
flash. Ideally, a flash should provide even illumination of the
entire subject field, but this is difficult to achieve in practice.
For a dome-ported 20mm lens used on a 36 x 24mm (35mm) format
camera you need a flash with at least 95 degrees of coverage;
but note that the coverage is usually defined such that the illumination
at the edge of the field is 50% of that at the centre. This 1
stop difference in illumination between centre and edge is an
accepted but noticeable feature of wide-angle flash photographs;
and can only be improved upon by using a flash with much wider
coverage than the lens (which means more power for a given light
level), or by using multiple flash units, i.e., by using bulky
and expensive equipment. In general, you should get a flash with
at least the same coverage as your widest lens, and opt for wider
coverage and more power as your budget and diving skill allows.
The next consideration is the guide number or output of the flash
unit. You should be aware that the underwater guide number of
a flash is about 1/3 of its guide number in air. Thus, for example,
a flash with a guide number of 24 in air has a guide number of
about 8 underwater. A guide number of 8 implies that you can
use an aperture of f/8 at a distance of 1m for an ISO/ASA setting
of 100. If you increase the distance by a factor of Ö2
(i.e., 1.4), you must open the aperture to f/5.6, and if you
increase the distance by a factor of 2, you must open up to f/4.
Similarly, if you reduce the ISO speed to 50, you must open up
by 1 f-stop, and if you increase the ISO speed to 200, you may
close the aperture down by 1 stop. Thus it transpires that for
a particular ISO speed, the flash guide number enforces a maximum
distance at which effective illumination can be obtained with
a particular aperture setting. To obtain the best depth-of-field
in a picture, a small aperture is required; and hence the larger
the guide number, the better the depth-of-field. In general it
is best to use f/5.6 or smaller in wide-angle photographs; and
so, assuming ISO 100, a flash with a guide number of 24 in air
has an underwater illumination range of 1.4m for a reasonable
depth-of-field. Increase the air guide number to 33, and the
illumination range goes up to 2m. Trying to illuminate objects
more than 2m away is generally not worthwhile, because the water
will absorb most of the red light from the flash, and so users
of flash units with very large guide numbers do so mainly in
the interest of using a very small aperture. For macro photography,
best results are obtained using apertures of f/16 and smaller,
but since the illumination range is also small, a modest flash
unit can do the job. Conclusion: flash units with guide numbers
in the range 24 to 33 in air, or 8 to 11 underwater (approximately),
are good for general purpose underwater photography. A smaller
guide number implies depth-of-field compromises in wide-angle
photography. A larger guide number implies heavy equipment. |
D.W.Knight, © Cameras Underwater
2001 - 2006. |